I know this is about a month late, but I haven’t been able to properly express my feelings about this album yet, so I still feel the need to write a review about Feistaarrrrr’s comeback. I was actually quite excited upon hearing about it, since I really loved their last two singles, and the group does have potential. Heck, I almost even considered buying the physical album – or at least a copy on iTunes.
However, after listening to the samples, I’m very glad I didn’t. This album is exactly the opposite of what I’d expect, and what I want, Fiestar to release.
So it’s been over a week now in the new year without any posts from me. Obviously that’s mostly due to the fact that nothing very interesting has happened yet in the world of K-Pop.
One slightly notable thing is that SM Entertainment is trying to shove Jonghyun down our throats, and are using questionable tactics such as sticking Certified Digital Monsters on almost all of his album tracks and releasing at a time almost as dead as APink’s latest comeback in order to attempt to re-create Kyuhyun’s digital success.
All things considered the album is full of falsetto vocals, and thus not worth my time. The pre-release’s title sounds like a bad Tom Haverford pick-up line. Plus he couldn’t maintain an All Kill for even half the time Kyuhyun did, so obviously it’s a certified flop.
There’s not much to say about HelloVenus’ new single. It may actually be an improvement on “Sticky Sticky” but I have no desire to rant about that.
So, I’m going to talk about the yearly charts Gaon releases and why they’re actually flawed and not a proper way of gauging what songs are actually the biggest hits.
Hi all, so this is obviously the moment you’ve been waiting for. After a long year, it’s time to count down the best songs of the year. While Billboard’s list wasn’t complete crap, I’ve made a much better, cohesive list that doesn’t name trash like GDYB “Good Boy” as one of the best songs of the year. Obviously I’m not getting paid off to write this, so the list will be entirely objective.
Why 45? Because I feel like it. Because 50 is overdone. Because there were more than 20 good songs this year. Because I’m including non-titles unlike a certain music chart.
So here you have, the Top 45 K-Pop Songs of 2014, numbers 45-26!
After a super sub-par September, I was hoping for a better October. I know I’ve spent most of October both reliving the beautiful memories of B1A4’s concert and whining about the lack of a Kyuhyun solo album (which we finally got after the massively successful campaign #justice4Kyuhyun). Now that I’ve effectively managed to buytwo copies of Kyuhyun’s album, and will be writing up a review in the next few days, I can finally bring myself to care about October’s music again.
All in all, there were some really good releases. I’m going to use Wikipedia’s chart as a guide and go through the month in order from the 1st to the 31st so I don’t forget anybody…. Continue reading →